HOME 
REVIEWS

Last updated February 06, 2009
REVIEWS
Feb. 6, 2009
Singing Her Own Song
by Christopher John Farley for Wall Street Journal
Jan. 18, 2007
Awkward brilliance
by Polly Coufos for The Australian
Dec 17, 2006
A singer on Holiday
By David Smyth for The Evening Standard
Dec 11, 2006
Hurricane Madeleine blows away audience
By Martin Lenon for Scotsman.com
Oct 17, 2006
Peyroux and a crack band honor modern songs
by Roger Levievre for The Ann Arbor News
 
Madeleine Peyroux put her signature on love songs
by Joshua Klein for MetroMix.com
Oct 14, 2006
Peyroux not perfect but shows rare gift
by Chris Riemenschneider for Star Tribune
Oct 09, 2006
Peyroux's stylistic jigsaw of styles
by Don Heckman for The Los Angeles Times
Oct 7, 2006
Oct. 2, 2006
Madeleine Peyroux delivers subtle, elegant show at the Moore
By Shawn Telford for Seattle Post-Inteligencer
July 16, 2006
She's back. But is she bothered?
by Phil Johnson for The Independent
June 18, 2006
Peyroux's honey-sweet jazz glides through myriad influences
By Jon M. Gilbertson for the Journal Sentinel
June 14, 2006
Half The Perfect World - Madeleine Peyroux doesn't simply interpret songs, she possesses them...
From MusicRemedy.com
Oct 31, 2005
Peyroux makes it personal
By John Aizlewood for The Evening Standard
August 2005
Assembly Hall Edinburgh
by Alison Kerr for the Scotland Herald
Aug 9, 2005
Madeleine Peyroux, Assembly Hall
by Helen Loughlin for Edinburgh Festivals
Sept 29, 2005
Peyroux delivers in dynamic style
by Sarah Tomlinson for The Boston Globe
Sept 23, 2005
While her life story isn't nearly as tragic as that of Billie Holiday, Peyroux has a similar air of mysterious restraint and rueful regret about her. After her big breakout with "Dreamland," she essentially ran away from the public eye for almost a decade, claiming that voice strain and the emotional pressure to deliver a successful follow-up album had gotten the best of her.

But finally producer Larry Klein (best known for his work with ex-wife Joni Mitchell) lured her back to do "Careless Love," a high-concept (Norah Jones meets Cassandra Wilson at Billie Holiday's house) album that finds Peyroux doing hurts-so-good, cabaret cool rethinks of tunes from other fabulously tortured souls like Leonard Cohen ("Dance Me to the End of Love"), Bob Dylan ("You're Gonna Make Me Lonesome When You Go"), Patsy Cline ("Walking After Midnight") and Josephine Baker ("J'ai Deux Amours" sung in French - but of course, my cherie).

And currently scoring a TV commercial for Dockers is her worldly wise vocal entreaty from the set "Don't Wait Too Long," co-authored by the singer, Klein and Jesse Harris.

Peyroux has been working that "I vant to be alone," air-of-mystery thing away from the microphone, too. She got her British music label in a terrible tizzy a few weeks ago by "vanishing" off the face of the earth, blowing out a bunch of promotional events and forcing the label to put a private detective on her trail.

Then, after my interview with her was tentatively set, Peyroux's American publicist sheepishly informed me that the artist was likewise "indisposed."

Truth is, some talents are better appreciated from afar, without knowing exactly what makes them tick or how they've come to sound like a dusty old vinyl record incarnate.
Sept 19, 2005
... while chanteuse Madeleine Peyroux was holding a Garden Stage audience rapt with her dreamy crooning

Peyroux, who has been getting rave reviews for her second album "Careless Love," recorded seven years after her debut "Dreamland," uses a soft, dreamy Billie Holiday-style delivery and phrasing to get her music across. Peyroux's low-key charms and understated style might have worked better in a smaller, intimate setting of a nightclub, but the capacity Garden Stage crowd didn't seem to mind a bit, hanging on her every word and yelling out terms of encouragement from time to time. At times seeming modestly shy and self-conscious, Peyroux even noted at one point that the crowd was unusually quiet and exhorted them to be louder. Even the guitar she quietly strummed seemed more of a security blanket than a musical instrument.
Jazz crescendo on event's last day from Monterey Herald.com
Sept 18, 2005
Madeleine Peyroux stole my ears
by Mark Whittington for The Mercury News
August 8, 2005
Passion with precision
By Hugh Gregory for The Telegraph
 
Angel-voiced but insecure
by Jack Massarik for The Evening Standard
August 6, 2005
July 11, 2005
Madeleine Peyroux - Live Footage (click on top banner for video)
July 3, 2005
Sounds from the street
by Alison Kerr for Scotsman.com
June 27, 2005
A vintage sound all her own
by Robert Hilburn for LA Times
May 23, 2005
Current hot thing Peyroux turns shy, awkward in concert
by Joel Selvin, SF Chronicle Senior Pop Music Critic
May 16, 2005
Transported to a golden era
by Matt Connors (5/17/2005) for The Australian
May 11, 2005
Smooth operator is taking her time
by Bernard Zuel (5/11/2005) for The Sydney Morning Herald
May 2, 2005
The easy line on Madeleine Peyroux is ... review New Orleans Jazz Fest
by Keith Spera for The Times-Picayune
Feb, 11, 2005
Nov. 29, 2004
Madeleine Peyroux at The Living Room, NYC (in French)
Thierry Rousselin for CitizenJazz.com
Jan. 4, 2005
Nov. 20, 2004
Almost Famous
Interview with John Bungey for London Times
Dec 9, 2004
Nov 23, 2004
Susan Werner, Madeleine Peyroux at the Birchmere 11/23/2004
Patrick Foster for Washington Post Style
Oct 28, 2004
Peyroux is fine and mellow...
Review by James Reed for boston.com
Oct 18, 2004
'This pair covers a multitude of styles' - Moore Theater performance
by Bill White for Post-Intelligencer
Sep 24, 2004
From blues to country and medium swing to walking ballads, Madeleine Peyroux, in her debut at Le Jazz au Bar, covers all the bases with a subtle and sweet lack of pretension. A freshly minted purity and innocence prevails, but underneath there is a distinctly sexy and seductive core with an edgy jazz sensitivity....
by Robert L. Daniels from Thu, Sep. 23, 2004 Variety.com
Apr 15-21, 2004
City Paper Review
by Nicole Pensiero
Nov 29, 2002
Time Herald-Record preview of concert in Rhinebeck NY


Design by Martin Schori / Web Code by Rich Hanson
Copyright © 2004-2007 Rich Hanson & Martin Schori. All rights reserved